Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Antonio Stom
View of the Piazza San Marco from the Procuratie Vecchie

ID: 44410

Antonio Stom View of the Piazza San Marco from the Procuratie Vecchie
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Antonio Stom View of the Piazza San Marco from the Procuratie Vecchie


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Antonio Stom

Italian, 1688-1734  Related Paintings of Antonio Stom :. | The Comtesse d'Haussonville | Portrait of an Old Jew | Portrait of William Cowper | Portrait of Catherine Vorontsova | Durer-s Mother Barbara,Nee Holper |
Related Artists:
Robert Swain Gifford
(December 23, 1840 - January 13, 1905) was an American landscape painter. He was influenced by the Barbizon school. Much of his work focuses on the landscapes of New England, where he was born. He, along with Victorian contemporaries from the White Mountain and Hudson River Schools, helped immortalize the majestic cliffs of Grand Manan in the Bay of Fundy. His painting from the island, "Pettes Cove," is illustrative of his masterful marine work. In the 1870s, he undertook several journeys to Europe and the Middle East and painted some subjects from those regions. In 1899, he was an artist on the famous Harriman Alaska Expedition. Some of his works hang in the most prominent galleries in the USA, including the Fine Arts Museums of San Francisco, the Metropolitan Museum of Art, New York, and the Smithsonian American Art Museum, Washington DC. He was a member of the Society of American Artists.
Klaes Molenaer
(1630, Haarlem - 1676, Haarlem), was a Dutch Golden Age painter. According to the RKD he was the brother of the painters Bartholomeus and Jan Miense Molenaer. He became a member of the Haarlem Guild of St. Luke in 1651 and paid dues yearly until 1676.He was a landscape painter influenced by Jacob van Ruisdael.
J. Alden Weir
(August 30, 1852 - December 8, 1919) was an American impressionist painter and member of the Cos Cob Art Colony near Greenwich, Connecticut. Weir was also one of the founding members of "The Ten", a loosely-allied group of American artists dissatisfied with professional art organizations, who banded together in 1898 to exhibit their works as a stylistically unified group.






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